Jim Kelly, historian and historical interpreter at the Whitney Plantation and consultant on numerous film projects, will discuss the way history is written and represented, and the lessons we may take from this today

Dr. Elewitz, who heads the Enterprise AI Lab at McKesson (a Fortune 10 pharmaceutical distribution company, presents on what major enterprises are trying to achieve with AI. His presentation will highlight how CEOs think about value, how to build AI products with reasonable risk, what AI/data scientists really do and how they spend their time, and identifying legitimate concerns with AI.

Our ability to correctly determine the probability, or likelihood, of a particular outcome occurring guides the many choices we make each day. This talk will explore examples of where our innate intuition about the world and these probabilities can lead us astray. Dr. Kyle Besing is the Associate Provost for Curriculum and Instruction and an Associate Professor of Mathematics at Kentucky Wesleyan College.

Keynote Speaker Dr Joshua Kline '98 will present.

Dr. Anuj Gurung and MU students of Jan 26 This presentation, led by MU students who have visited Nepal, explores the unprecedented role of Nepal’s Generation Z in challenging entrenched political systems and catalyzing a change of government. Drawing on on-the-ground accounts, social media campaigns, and youth-led organizing, it examines how a digitally connected, socially conscious generation transformed frustration into coordinated action. We will trace the movement’s origins, tactics, and leadership, highlight the cultural and political context that gave rise to it, and consider its implications for democratic participation, governance, and intergenerational power dynamics across South Asia and beyond.

Manchester Symphony Orchestra performs

Love argues that reexamining Conjure traditions exposes how African American spiritual practices have been sidelined in Eurocentric religious studies. Highlighting Conjure’s history of resistance and Black women’s agency, the essay challenges Western categories that separate religion, magic, and science. Love ultimately urges a decolonized approach that honors the resilience and creativity of African American folk traditions.